2012

When Worlds Collide meets Day After Tomorrow meets Twister meets…you get the picture?  I had an excellent time with this, but then, I’ve always suffered from a weakness for disaster porn.  The story is a checklist of disaster cliches, but the tsunamis and earthquakes and volcanoes are amazing.

FF=1

THE THING (1982)

When my cable was out I popped in my DVD of Carpenter’s version.  After almost 30 years, still one kick-ass film. I hope nobody tries to remake it. (This, btw, was not a remake. It went back to the original story – Campbell’s “Who Goes There?” – which the Howard Hawks film ignored.)

FF=0

INVICTUS

With Matt Damon and Morgan Freeman headlining, I thought this might be a typically crappy Hollywood biopic, but it has a documentary feel and Freeman brings tremendous dignity to the Mandela role.

FF=2 (some of the rugby sequences go on too long)

PIRATE RADIO

About a floating pirate rock radio station off the UK coast in 1966 and their battle with the British government that wants to shut it down.  A super ensemble cast and a ton of fun.  Really…see this.

FF=0

LEFT FOR DEAD

See, here’s what happens: Someone says see this film, so I add it to my long Netflix queue.  By the time it arrives and I watch it and realize it’s a huge steaming pile of doo-doo, I’ve forgotten who recced it, so therefore I cannot strangle him, thereby leaving him free to rec more doo-doo.  Awful.

FF=6

THE BOX

Based on Richard Matheson’s very short story, “Button, Button,” which I recall as a riff on the old TV series “The Millionaire” – there the money came with no strings; in Matheson’s story, someone, somewhere will die if you accept it.  I’m usually a sucker for moral dilemmas like this, but the movie seems terribly jumbled and lacks a single interesting character.  I was not engaged.

FF=3

DEAD SNOW

Scandinavia gave us the existential musings of Soren Kierkegaard and the cinematic wonders of Let the Right One In, and now…Dead Snow.  I think it wanted to be a cross between Shock Waves and Evil Dead 3, but it turned out to be just another gorefest. Yawn.

FF=3

RED CLIFF

Who knew what John Woo could do? (I could =not= resist that sentence.) “Do” would be an historical epic, and he did a great job.  I confess to knowing next to nothing about Chinese history and all the various Emperors and dynasties, but I learned something here.  The clashing armies and fleets must have been awesome in the theatre, but even on my home screen they’re impressive.

FF=2 (as with most Asian directors, Woo lets his martial arts sequences run too long)

BOOK OF ELI

Any film with Gary Oldman and Denzel Washington can’t be bad, and this isn’t.  But it could have used a more coherent plot. The book in question is a bible and the tagline goes: “Some will kill to have it. He will kill to protect it.” But it’s never clear what good it’s going to do for whoever possesses it.  Some good Mad-Maxish action sequences though.

FF=2