I came up with a log line while watching this: “Predator meets The Dream Team” (the Keaton film). I could give you a cliche countdown, starting with the savant child and psycho NSA-type agent, but I’ll simply sum them up for you: Been there, done that. FF=2.
As expected, a truly dumb movie. But, as a kaiju fan, I had to see it. Though the effects are good, it possesses none of the mythic undercurrents of the Tojo films and suffers for it. The trio of giant monsters lack gravitas — they’re just dumb animals who happened to be in the wrong place at the wrong time. George, the albino gorilla, has a “Mighty Joe Young” vibe, but that can’t save the film. Instead of hubris, the plot turns on humdrum avarice. The Rock gives his usual solid performance (sorry) but Jeffery Dean Morgan steals every scene he’s in. FF=2
If I had to logline this 6-episode French/Netflix thriller I’d say it’s “Silence of the Lambs” meets “Se7en.” (Keep in mind that loglines are never entirely fair or accurate.) It’s well paced and incorporates pretty much every plot twist imaginable. Def worth a look.
If you’re in the mood for a British black comedy about a serial-killer couple (and who isn’t?), this is your dish. It’s wacky and uneven, but offers some laugh-aloud parts. Lots of driving through beautiful countryside and even a little leyline mythology. Def worth the 90 minutes.
Although Snatch and LS&2SB remain two of my fave films, perhaps Guy Richie wasn’t the best choice to direct this. Too many missteps, starting with the eponymous character’s 21st century fade hairstyle. And did I see a direct appropriation of Frazetta’s “Death Dealer?” His trademark camera tricks are jarring in a medieval setting. On the whole I found it watchable but at the end I’m wondering what else I might have done with those 2 hours.
I seem to be in the minority (as usual) but I liked the cast and had some good laughs from this. If the 1984 film had never been made, this might have been the start of a franchise. But the 1984 film is in the canon, and its iconic cast and jaw-dropping succession of outrageous twists, culminating in the humongous Stay Puft marshmallow man, make this come off as an also-ran. Too much deja-vu / been-there-done-that to make me want another look.
Nowhere near as bad as I was led to believe. The effects were excessive and the direction/editing cornfusing at times, but I was more engaged than I expected. High point: Gal Gadot as WW; Linda Carter go away, this Gal (sorry) owns the part. (Must see WW feature.) Low point: Jesse Eisenberg as LL; wrong-wrong-wrong for the part; get Corey Stoll next time.