An intriguing film about how to treat the truly gifted among us. Little McKenna Grace does a star turn as the 7-year-old math genius. Her grandmother wants her to realize her full potential via tutors and the uncle who’s raising her doesn’t want her to grow up isolated like her mother (who committed suicide). A great cast but you will fall for McKenna Grace like you fell for little Dakota Fanning. FF=0
I’m blown away by the beauty of the rendering and the in-your-face theme of self realization. This is not something you expect out of the statist-collectivist pits of Hollywood. According to the collectivists, the individual is worthless (“You didn’t build that”) yet here we have this gutsy, free-thinking gal ignoring her culture’s be-happy-with-what-you’ve-got ethic and striking out on her own to improve her lot, and thus saving everyone else in the process. This is right up there with “Tomorrowland.” Must be some closet libertarians at Disney beside Brad Bird.
Longtime Ditko fan though I may be, I never got into this comic book. Strange was a total-Ditko creation. Stan Lee came on later. I loved the art but found the stories hokey. Did like this film, though. Some of the effects are mindbending. Cumberbatch brings the right amounts of suavity and arrogance to the character and the pacing kept my finger off the FF button (well, except for the fight scenes). Ditko should have got credit for some of the art direction as well.
I’m not sure what to say or even think about this. It’s a little bit “Rain Man” and a little bit “John Wick” (though paced more like the former). It employs most of the thriller tropes but in a somewhat different way. Do you see my problem? I can’t say this is a must-see thriller but I was engaged enough to keep my finger off the FF button.
I thought, How can you make a feature film out of a 208-second flight? Turns out a lot of behind-the-scenes drama was cooking after that amazing landing. Turns out the NTSB was trying to hang Sully out to dry for not turning back to LaGuardia or heading to Teterboro in NJ. Turns out this film is worth seeing.
Maybe I’m too old or have the wrong ethnic makeup (or a combo of both) to appreciate live-action anime. Visually this packs a wallop, truly audacious, but that wears thin after a while and there’s not enough of a coherent story to carry it. I understand the anime version ran in the neighborhood of 25 hours, so the narrative naturally gets chopped up. Satomi Ishihara managed to stand out in a cast of stock characters.
I wanted to like this but was very disappointed. I expect better from Shane Black. I know it’s supposed to be a buddy movie/action-comedy but I simply didn’t buy any of it. Give me something to hang on to! The little girl was cute but didn’t belong in most scenes. Gosling trying to channel Lou Costello after he finds that corpse is just plain embarrassing. I had a few chuckles but the flimsy story doesn’t hold together.
(low FF because I kept hoping things would fall into place; they didn’t)