Finally saw this after a long search (it was on Amazon all the time). I love the deep-focus look of these old (1949) films. Quite enjoyable, with Alec Guinness playing 8 parts. It might be described as a cozy serial killer film, if you can imagine that. Well paced with a couple of nice twists at the end. FF=0
If you’re in the mood for a British black comedy about a serial-killer couple (and who isn’t?), this is your dish. It’s wacky and uneven, but offers some laugh-aloud parts. Lots of driving through beautiful countryside and even a little leyline mythology. Def worth the 90 minutes.
A horror comedy made in Ireland that puts an Irish twist on all the monster movie tropes. You have to hand it to the Irish: They can laugh at themselves. An isolated island village is besieged by tentacled, blood-sucking monsters who are allergic to alcohol in the blood. If you’re Irish, the solution is as natural as it is obvious. If any other ethnic group had been skewered thus, the outrage monkeys would be hopping all over the place. A fun flick.
Although Snatch and LS&2SB remain two of my fave films, perhaps Guy Richie wasn’t the best choice to direct this. Too many missteps, starting with the eponymous character’s 21st century fade hairstyle. And did I see a direct appropriation of Frazetta’s “Death Dealer?” His trademark camera tricks are jarring in a medieval setting. On the whole I found it watchable but at the end I’m wondering what else I might have done with those 2 hours.
Can we be done with this now? Please? Finis? Sayonara? I can’t keep doing the deja vuing (or deja viewing).
Could be the scariest film of the year. The title refers to a global tech giant with a suffocatingly “inclusive” corporate culture that pressures all employees to be “involved” (sound familiar?). The maguffin is a tiny fish-eye camera that can be stuck anywhere and watched by anyone from anywhere. The company encourages everyone to stick there EVERYWHERE. The goal is “transparency.” Everything is stored in the cloud. No more secrets, because criminals and terrorists and child molesters thrive in secrecy. Now everyone can know everything. Would-be Cassandras warning of the death of privacy are drowned out as social media wildly embraces it. Emma Watson becomes a global heroine after she volunteers to stay online 24/7.
The scare — for me, at least — is that this technology is so very feasible in the near future, and I can see the drones populating FB and the Twitterverse totally jumping on it. I’m well aware that privacy is a myth these days, but imagine Google or the government (they might be the same before long) knowing even more about you than it does already. A credible nightmare.
As a film, however, not so great. I loved Emma Watson as Hermione, but she’s flat here. There’s no suspense, but I was okay with that, because the premise is so horrifying.
An intriguing film about how to treat the truly gifted among is. Little McKenna Grace does a star turn as the 7-year-old math genius. Her grandmother wants her to realize her full potential via tutors and the uncle who’s raising her doesn’t want her to grow up isolated like her mother (who committed suicide). A great cast but you will fall for McKenna Grace like you fell for little Dakota Fanning.