This Roger Corman film really creeped me out when I saw it as a kid.  (Co-written by Mark Hanna who later gave us Attack of the 50-Foot Woman – which held out the possibility that one might indeed return to the womb, but I digress).  It did not creep me out sitting there with Tom (yes, we screened a triple feature) under the influence of Cuervo Gold.  I’ll give it points for originality, but it looks like it was shot with a wind-up 8mm through homemade day-for-night lenses.  Damn near impossible to see what was going on at times.  But again, only 67 minutes long, so the FF rating is low,


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